Goldfoot and the Bikini Machine

Goldfoot and the Bikini Machine is a 1965 American International Pictures parody movie, made in Pathécolor, coordinated by Norman Taurog. It stars Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and highlights Fred Clark. It is a farce of the then-well known government agent film pattern (the title is a satire of two James Bond films: the 1962 film Dr. No and the 1964 hit Goldfinger), made utilizing entertainers from AIP’s sea shore gathering and Edgar Allan Poe films. comprar biquíni

In spite of its low creation esteems, the film has accomplished a specific clique status[3] for the presence of repulsiveness legend Vincent Price and AIP’s sea shore party film graduated class, its in-jokes and over-the-top sexuality, the claymation title grouping planned by Art Clokey, and a title melody performed by The Supremes.[4]

The film was retitled Dr G. what’s more, the Bikini Machine in England: metropolitan legend has it that this was on the grounds that there were two specialists in the nation called Doctor Goldfoot,[citation needed] yet it was almost certain because of a compromised claim from Eon, holder of the rights to the James Bond motion pictures.

The accomplishment of the film on its 1965 delivery prompted a spin-off, made the next year, entitled Dr. Goldfoot and the Girl Bombs.[5]


1 Plot

2 Cast

3 Production

3.1 Development

3.2 Shooting

3.3 Accident

3.4 Theme tune

4 Reception

4.1 Box office

4.2 Critical reaction

5 Sequel

6 See moreover

7 References

8 External connections


Value plays the nominal insane lab rat who, with the sketchy help of his revived toady Igor, assembles a group of female robots who are then dispatched to entice and burglarize well off men.[5] Avalon and Hickman play the blundering saints who endeavor to ruin Goldfoot’s plan. The film’s peak is an all-encompassing pursue through the roads of San Francisco.


Vincent Price as Dr. Goldfoot

Frankie Avalon as Craig Gamble

Dwayne Hickman as Todd Armstrong

Susan Hart as Diane

Jack Mullaney as Igor

Fred Clark as D. J. Pevney

Alberta Nelson as Reject No. 12

Milton Frome as Motorcycle cop

Hal Riddle as Newsvendor


Patti Chandler

Mary Hughes

Salli Sachse

Luree Holmes

Sue Hamilton

Laura Nicholson

Marianne Gaba

China Lee

Issa Arnal

Deanna Lund

Pamela Rodgers

Leslie Summers

Sally Frei

Kay Michaels

Jan Watson

Arlene Charles

Alberta Nelson


Harvey Lembeck

Deborah Walley

Aron Kincaid

Annette Funicello

Cast notes

Frankie Avalon and Dwayne Hickman play similar characters they did in the earlier year’s Ski Party, then again, actually the characters’ names were traded.

Annette Funicello shows up as a young lady secured middle age stocks in Dr. Goldfoot’s refuge. Frankie Avalon lifts her head, at that point takes a gander at the camera and says, “It can’t be!” Pregnant with her first kid at that point, Funicello was submitted in the stocks in request to conceal her stomach.

Harvey Lembeck likewise shows up as his Eric Von Zipper character, enchained alongside his cruiser in Goldfoot’s den. Lembeck additionally showed up as Goldfoot’s aide, Hugo, in the TV exceptional The Wild Weird World of Dr. Goldfoot.

Among the young ladies who play Goldfoot’s robots are Deanna Lund, three years prior to joining the cast of Irwin Allen’s sci-fi arrangement Land of the Giants; China Lee, a previous Playboy Playmate wedded to Mort Sahl; Luree Holmes and Laura Nicholson, the little girls of James H. Nicholson; and Alberta Nelson, who was likewise in each of the seven of AIP’s Beach Party films as an individual from Eric Von Zipper’s bike posse, The Rat Pack.



The first thought for this film came from James H. Nicholson, the President of American International Pictures, who needed to feature the flexible gifts of AIP contract player Susan Hart. Nicholson gave the story, and is credited as “James Hartford.” He employed Robert Kaufman to compose the main draft. Chief Norman Taurog recruited Elwood Ullman to do a change, and Taurog remained personally associated with the substance. Deke Heyward later asserted, without validation, that he totally revamped Robert Kaufman’s script.[6]

The first title was declared as Dr Goldfoot and the Sex Machine, and the movie was to be coordinated by William Asher.[7] Taurog presently accepted the rudder as chief, and Dwayne Hickman joined the cast. Shooting started in pre-fall 1965, with one of AIP’s biggest ever budgets.[1] It was the main AIP film to cost over 1,000,000 dollars.[8]

Vincent Price expressed in a 1987 meeting with David Del Valle that the first content was a camp melodic, contrasting it with Little Shop of Horrors. Cost expressed, “It might have been fun, yet they cut all the music out”, however, it isn’t evident whether the recording was really shot or the thought was deserted during creation. As indicated by Susan Hart:

Perhaps the best scene I’ve seen on film was Vincent Price singing about the two-piece machine – it was great. What’s more, I was advised it was taken out in light of the fact that Sam Arkoff believed that Vincent Price looked excessively fey. Be that as it may, his character was fey! By taking that specific scene out, I accept they took the clarification and the meat out of that image… It was a truly interesting informative scene and Vincent Price was lovely in it, directly on the money.[9]

As per Norman Taurog’s biographer:

The first arrangement had been to follow the AIP recipe and have tunes incorporated all through the film, yet Norman got Elwood Ullman to do a revise … furthermore, the last content read like a pleasant satire on the James Bond films without any melodies. This obviously frustrated Vincent Price, who had been anticipating singing.[8]


The film is eminent for its beautiful photography of San Francisco. The trolley scene was recorded at the West Portal burrow. Recording went for more than 30 days, occurring on the spot in San Francisco and on the backlots at the Producers Studio and Metro-Goldwyn-Mayer Studios. The day after the organization got back from San Francisco, revolting broke out in Watts in South Los Angeles. On August 30, the unit moved to MGM Studios Lot 2 to shoot on their “New York Street” set for two or three days prior to getting back to the Producers Studio.[8]

The climactic pursue succession was shot in the Bay Area. The doubles included Carey Loftin, Paul Stader, Troy Melton, Jerry Summers, Ronnie Ron-dell, Bob Harris, Louis Elias, David Sharpe, Harvey Parry, and Bill Hickman.[8]

When planning Goldfoot’s sanctuary, Daniel Haller re-utilized a portion of his plans from 1961’s The Pit and the Pendulum. Stock film of war vessels from another AIP discharge, Godzilla versus The Thing shows up during the peak.


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